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    Home » In the studio

    Faceless men and paper crowns

    This work of faceless men with paper crowns examines authority and corporate power. Whether it is in the corporate world or within the ranks of government power and authority go hand in hand.

    As is all too common, it is overt corruption and the abuse of power and authority that become so problematic to our societies.

    "Head(1)" (left) and "Head(2)" (right), each 12 x 16 inches, acrylic, graphite and charcoal on wood, 2018

    These portraits could really represent anyone but the faces are incomplete not because we want to cast our own images into the frame.

    As figures with immense financial wealth and power, their identities are hidden or protected. The viewer gets a sense that they are too powerful to be implicated in any wrongdoing.

    I developed the concept for these paintings while listening to a journalist speak about reporting. He said that journalists, to protect themselves, report what has happened but don’t report names or point blame.

    Drawing of a paper crown on wood, work in progress, with a drawing pencil.
    Work in Progress

    It is intensional that the crowns resemble the paper crowns given away to children at beloved fast food restaurants. This reinforces the ties of profiteering, corruption, and exploitation within the corporate world.

    They are created with sketchy charcoal and hand-drawn details in graphite sandwiched together between layer upon layer of clear and colored acrylic paint.

    More In the Studio

    • An abstracted painting of soldiers in uniform by artist, Sam Marroquin.
      War and Propaganda
    • Landscape painting or rolling hills collaged with maps and acrylic paint.
      Water, Land, and History
    • Paper college of a scuba diver with old math book page, product tags, and wire.
      Common Truth
    • painting that contains headlines and images from the news
      My Practice

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