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    Home » Exhibits

    Not To Be Sold Loose, Littman Gallery, University of Portland

    This exhibition, featuring a collection of self-portraits by Sam Marroquin, Ketzia Schoneberg, Khytul Abyad, and Lou Blumberg, explores the complex relationship between individual and collective identity. Curated by Simeen Anjum.

    Challenging the idea of the self as a distinct, isolated entity, these works reveal how personal identities are not singular but are deeply interconnected with the broader social and cultural contexts we inhabit, suggesting that we are part of a larger whole—much like items that are not meant to be separated from their collective context.

    4 paintings by artist, Sam Marroquin,  displayed on a gallery wall.
    Several paintings by artist, Sam Marroquin, displayed on a gallery wall with several viewers eaxmining the art.

    The artists invite us to consider how our emotions, experiences, and sense of self are shaped by the communities and environments around us, emphasizing that we exist and feel together. Through these pieces, the exhibition reflects on the parallel nature of individual and collective existence, encouraging us to rethink the boundaries between self and society.

    There will be artist talks and light refreshments at the opening reception on Friday, January 31, 3 pm - 5 pm.

    The gallery curator talking about the exhibit, Not To Be Sold Loose, at the Littman & White Galleries at Portland State University.
    Dried foods and herbs on a cushion in an installation artwork by Khytul Abyad.

    Not To Be Sold Loose
    January 27 - April 4, 2025

    Littman & White Galleries
    University of Portland
    1825 SW Broadway, 
    Portland, OR 97201

    Artist Ketzia Schoneberg discussed their artwork in the gallery.
    Lou Blumberg discusses their artwork in the gallery.

    Curatorial Statement:

    This exhibition explores the complex relationship between individual and collective identity. It challenges the idea of the self as a distinct, isolated entity, revealing how personal identities are deeply interconnected with the broader social and cultural contexts we inhabit. It suggests that we are part of a larger whole—much like items that are not meant to be separated from their collective context.

    Through their diverse practices, the four artists explore how their identities are shaped by the communities they belong to and the relationships they navigate.

    Khytul Abyad, a Kashmiri artist based in Chicago, delves into the intersection of personal memory and shared cultural practice. In her installation Kitchen Lessons, presented as a self-portrait, Abyad incorporates poems alongside dried vegetables traditionally prepared and preserved by women in Kashmir. The work highlights the bridge between personal and communal experiences, illustrating how her sense of self is shaped by the values, survival strategies, and shared knowledge of her community.

    The activity corner in the at the exhibit, Not To Be Sold Loose, invites viewers to respond to artist Sam Marroquin's artworks examining identity.
    Viewers to respond to artist Sam Marroquin's artworks examining identity.

    Ketzia Schoneberg’s mixed media paintings stretch the notion of individual identity to encompass an intrinsic interrelationship with animals, free from hierarchical distinctions. Her work exposes our shared sentience, origin, and fate—offering a vision of collective identity that transcends human boundaries. The mammals in her paintings may represent intimate avatars of her eight children lost to miscarriage, or victims of the political fallout and violence of the human realm.

    Lou Blumberg’s sculptures draw from five years of personal journaling, visualizing their evolving sense of self through two interconnected figures. One sculpture is made from Blumberg’s journal writings about their own life and personal journey, while the other sculpture is based on writings about other people in their life and the world at large. These works explore how our sense of self is shaped not only by our internal reflections but also by the people we encounter and the larger world we inhabit. Blumberg emphasizes how our sense of self is shaped not only by who we are but also by the continuous and evolving connections we have with others.

    Lettering and signage at the entry of the art exhibit, Not to be Sold Loose, at the Littman & White Galleries at Portland State University.
    4 paintings by artist, Sam Marroquin,  displayed on a gallery wall with several viewers eaxmining the art.

    Sam Marroquin’s collection of four collages engages with the social and political forces that shape individual and collective identities. Through layers of imagery, text, found objects, and paint, Marroquin’s work invites viewers to consider the intricate connections between personal experience and the larger social systems that define and influence our lives.

    The artists in this exhibition invite us to reflect on how our emotions, experiences, and sense of self are shaped by the communities and environments around us. Through these works, the exhibition emphasizes that we exist and feel together, challenging us to reconsider the boundaries between self and society. In doing so, it reveals the parallel nature of individual and collective existence, and calls into question how we define and experience identity in relation to the world around us.

    - Simeen Anjum

    More Exhibits

    • Abstracted painting of tents in a refugee camp by artist Sam Marroquin
      Seeking Warmth with Ceija Stojka, at Art at the Cave
    • Painting of a cross section of a house with collaged image transfers, charcoal, paper, and metal by artist Sam Marroquin.
      Precipice at Walters Cultural Arts Center
    • Painting created with collaged newspaper headlines, charcoal and hand colored image transfers on canvas by Sam Marroquin.
      Viral Integration at University of California, Irvine
    • Art collage made with newspaper clippings, maps, tags, plastic, and metal.
      Texting at Emerge Gallery, Saugerties, New York

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