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Sam Marroquin
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    Home

    Studio Practice

    • My Practice
    • The World Around Us
    • Loss of Natural Habitat
    • Studio Process
    • News, What is Covered and What is Not
    • 2020, A Year In Review
    • Robert Rauschenberg and Sam Marroquin
    • Art Studio
    • News Cycles
    • The Uttered and the Unspoken, Exhibit
    • Portrait of Greta Thunberg
    • Liberty and Freedom
    • Investigating Current Events
    • Text In Early Modern Art : Artifacts of Mass Media
    • Climate Change and Wildfires
    • Examining the Hanford Nuclear Powerplant
    • Places We Live
    • Throwaways
    • The Plurality of Self
    • Nostalgia and Place
    • Three Spoons
    • American Dream
    • Exploring Contract Positions
    • April 25, 2018
    • March 27, 2018
    • Faceless men and paper crowns
    • February 28, 2018
    • February 6, 2018
    • January 25, 2018
    • The Beast
    • December 20, 2017
    • In One Hundred Years
    • November 17, 2017
    • November 10, 2017
    • October 27, 2017
    • Airflow
    • October 2, 2017
    • September 22, 2017
    • September 15, 2017
    • Like Oil and Water
    • Investigating Imperialistic Power
    • Black Friday Fire
    • June 1, 2017
    • Pipeline Painting
    • Feb. 22, 2017
    • Feb. 14, 2017
    • Feb. 8, 2017
    • "Freedom..."
    • Interpretation of Cold Deck

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    • Work
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    News & Events

    • Paintings Acquired
    • We The People Art Exhibit
    • The earth is blue like an orange.
    • Clark County Open Studios Tour

    "It is the job of art to engage the viewer in a meaningful way in order to facilitate larger conversations. Marroquin’s work is timely and important." - Cheryl McGinnis, Cheryl McGinnis Projects, NY

    "All of her work is rooted in social justice" - Michele McCall-Wallace, cultural arts manager, Hillsboro OR

    "She is showing the dark underbelly of what is hidden underneath. Her work is eye-opening.” - Monica Vilhauer, TreeSong artist in residence program manager

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