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Sam Marroquin
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    Dwellings

    Through the structure and architecture of the “house,” these works explore our relationship to ourselves, each other, our homes and the natural world. They reflect on information, where and how we receive it and the authorities that control it or influence us. 

    "Profit Exploit" 2022, Acrylic, charcoal, magazine clippings, paper, tags, metal and fabric collage on canvas, 36 by 24 inches
    "Quarantine" 2022, Acrylic, charcoal, paper, tags, metal, plastic and image transfers collage on canvas, 36 by 24 inches
    "Response" 2022, Acrylic, charcoal, paper, tags, mesh, metal, plastic and image transfers collage on canvas, 36 by 24 inches
    "Imperialistic Game" 2022, Acrylic, charcoal and image transfers collage on canvas, 16 by 26 inches
    "Equal Justice" 2021, Acrylic, charcoal, tags, paper, image transfers, mesh and metal collage on canvas, 18 by 36 inches
    "Rewriting" 2021, Acrylic, charcoal, graphite, tags, cardboard, image transfers and metal collage on canvas, 18 by 24 inches
    "Leaving the Skeletons Behind" 24 by 36 inches, acrylic, paper, mesh, image transfers and metal collage on canvas, 2020
    "Land Use" 2021,  Acrylic, charcoal, image transfers, tags, sticker and metal collage on canvas, 6 by 10.5 inches
    "Windows" 2021, Acrylic, charcoal, paper, stickers, tags, image transfers, plastic and wire collage on canvas, 7.5 by 14 inches
    "Edge of Nature" 2021, Acrylic, charcoal, image transfers, tags and metal collage on canvas, 11 by 5.5 inches
    "Iceberg of Silence" 2021, Acrylic, charcoal, graphite and image transfer collage on canvas, 9 by 5 inches
    "Iceberg of Vanity" 2021, Acrylic, charcoal and image transfer collage on canvas, 5 by 11 inches
    "Iceberg of Complacency" 2021, Acrylic, charcoal and image transfer collage on canvas, 5.5 by 5.5 inches
    "American Dream" 2018, Acrylic, charcoal, image transfers, tags and wood on canvas, 24 x 36 inches
    "The Plurality of Self" 2019, Acrylic, charcoal, paper, colored pencil and metal collage on canvas, 24 x 36 inches
    "The Iceberg in the Room" 2018, Acrylic and paper collage on canvas, 24 by 36 inches
    "Three Spoons" 2018, Acrylic, charcoal, graphite, conte crayon, paper, metal, paint chips and fabric collage on canvas, 24 by 36 inches
    "Never Enough" 2018, Acrylic, charcoal, paper, image transfers and metal collage on canvas, 24 by 36 inches
    "Kneeling" 2019, Acrylic, charcoal, paper, image transfers and metal on canvas, 48 by 36 inches
    "Create a Place" 2019, Acrylic, charcoal, tags, labels, magazine clippings, metal, and cord collage on canvas, 24 by 36 inches
    "Deforestation" 2019, Acrylic, charcoal, tags, labels, and image transfers collage on canvas, 18 by 24 inches
    "A Better Future" 2020, Acrylic, charcoal, paper, image transfers, cardboard and metal on canvas, 18 by 24 inches
    "Iceberg of Remberance" 2022, Acrylic, charcoal and image transfers on canvas, 5 by 10 inches
    "Iceberg of Denial" 2022, Acrylic, charcoal and image transfers collage on canvas, 10 by 5 inches

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    Leaving the Skeletons Behind, 24 by 36 inches, acrylic, paper, mesh, image transfers and metal collage on canvas, 2020

    Dwellings

    painting that contains headlines and images from the news

    News Cycles

    Image of George Floyd created with the names of Black Americans killed by police 2017-2020.

    American Experience

    Abstract encaustic painting with drawing of fern leaves, magazine clippings, and rusty nails.

    Time & Place

    Collage art with paper from magazines, maps and metal.

    Collage

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    News & Events

    • My Practice
    • Paintings Acquired
    • The World Around Us
    • We The People Art Exhibit

    "It is the job of art to engage the viewer in a meaningful way in order to facilitate larger conversations. Marroquin’s work is timely and important." - Cheryl McGinnis, Cheryl McGinnis Projects, NY

    "All of her work is rooted in social justice" - Michele McCall-Wallace, cultural arts manager, Hillsboro OR

    "She is showing the dark underbelly of what is hidden underneath. Her work is eye-opening.” - Monica Vilhauer, TreeSong artist in residence program manager

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    Copyright © 2022 Sam Marroquin